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ALL I EVER KNEW ABOUT DALLAS WAS DALLAS, the soap opera of the 1980s, when the city itself was actually quite depressed. these days that business-friendly town is as awash in money and power as the fictional J.R. Ewing ever was. it has a mess of Fortune 500 companies, more shopping malls than any other city in the country, the Texas Rangers, and George W. Bush. it also has a concentration of collectors who are mad for contemporary art.
Last week, on the occasion of the fourth Dallas Art Fair and the first Dallas Biennale, they opened their homes (and in one case their closets) to visitors from new York. it was no surprise to find houses grand and collections deep—this is the Big D, after all, the place where people say, “The higher the hair, the closer to God.” it was the nature of those collections that surpassed expectations. if people in Dallas toe the conservative line in most other ways, they go hog-wild for the provocative when it comes to art.
And they’re really nice people. Over four days spent looking at art in museums, private homes, and the fair, every single person I met exuded genuine warmth and passion. take Alden and Janelle Pinnell, a young couple who established a very cool, alternative exhibition space called the Power Station last year. Inspired by Dia’s Minimalist aesthetic, they commission a site-specific exhibition from a single artist every few months. On April 11, they held an opening for Jacob Kassay.
The artist had arrived two days earlier to rip out all the light fixtures in the 1920s brick industrial building and insert a spare, elegant installation of sculpture and painting on two of its four stories. “Jake’s a very formal guy,” said the affable Alden. “and I’m a very serious collector.” He’s been at it for twenty years, having made his fortune at a tender age by capitalizing on his dermatologist father’s face cream and selling it to L’Oreal.
On the patio, Kassay’s new York dealer Augusto Arbizo clicked beer bottles with Joel Mesler, Tom Solomon, Michele Maccarone, Jessica Silverman, and Sarah Watson, all in town for the fair. They mixed easily with locals like Nasher Sculpture Center director Jeremy Strick, private dealer John Runyon, and David and Rachel Kelton, who described themselves as novice collectors, though experienced enough to have bought a Tom Friedman from his last new York show. “Alden’s been teaching us how to live with art and children,” said Rachel. “We just say, ‘Don’t let the hockey pucks hit the Warhol!”
I would see the same faces every day, at every event, and every night in the bar of my hotel, the Mansion, Dallas’s answer to the Bauer in Venice. but that Wednesday, dinner came first—actually several dinners. The Pinnells served barbecue on the Power Station roof, with a view of the Texas state fairgrounds and the Cotton Bowl, while collectors Howard and Cindy Rachofsky welcomed dealers to drinks and snacks at a taco joint a few minutes away. Among them was a jet-lagged Erwin Wurm, fresh from installing a show opening at the Dallas Contemporary a couple of days later, and Melissa Meeks, director of Two x Two for AIDS and Art, an annual event that raises money for AMFAR and the Dallas Museum of Art at the Rachofskys’ Richard Meier–designed house.
The Rachofskys don’t actually live there; they just rotate their collection. Eventually part of it will go, with the house, to the museum. Their new installation, by adviser-in-chief Allan Schwartzman, was “all edge-of-perception stuff,” Howard said. “That’s why I like it.”
The art fair held its welcome party at the Crescent Hotel, a weirdly ornate, retro limestone pile inside a commercial complex that bears absolutely no evidence that its architect, Philip Johnson, ever put his hand to it. In the lobby of the office building next to the hotel, E. V. Day had installed “exploded” Metropolitan Opera costumes from her Ascending Divas series, celebrated with champagne from Ruinart, also a sponsor of the fair.
Its odd-couple cofounders, graphic novelist Chris Byrne and real estate developer John Sughrue, were also on hand the next morning for a quick preview of the seventy-eight stalls crammed into the Fashion Industry Gallery, a concrete bunker in the downtown Arts District. a buffet lunch for patrons of the Dallas Museum, a block away, followed. Christen Wilson, the youngest member of the board, took a table with a prime bunch of other supporters. One of them was Cindy Schwartz, who explained that the unusually collegial collectors in Dallas buy art for Dallas, not themselves, donating work to the museum and pulling for other institutions and schools.
Every collection I saw was distinct from every other, as opposed to deep-pocketed art lovers elsewhere, who seem to compete for the same trendy things. The museum is just as adventurous. a walk-through with curator Jeffrey Grove turned up a Mark Manders show that would be more typical of, say, MoMA PS1. Later on, I dropped into Wilson’s Highland Park home for a look-see, only to find Maccarone and dealer Brad Waywell already there with Adam McEwen, consultant Alex Marshall and Watson close behind. and suddenly it was a party, amid one of the freshest and most intelligently considered installations of art I’ve seen anywhere.
Marguerite Hoffman has been in the collecting game longer, but it was still amazing to see an undulating brick wall painted by Sol LeWitt running down one side of her garden, and all the Twomblys, Cornells, and Duchamps inside the house. “Art is the language that binds all of us,” she said, opening one of several illuminated manuscripts she’s cottoned onto recently.
Deedie Rose is another kind of character. Her five-level Brutalist manse in Preston Hollow has ten thousand square feet of space—just enough to exhibit her collection of painting and sculpture and still have room for her modernist furnishings. it also has a catwalk that extends some distance outside the house for Rusty Rose, her husband of forty-six years, to do the bird-watching he loves as much as she loves art. She’s also keen on costume jewelry and high fashion. “Jewelry,” she said, “is another way to look at art, another way to see the world.”
After a tour led by her assistant, Angela Walsh, past the staircase LeWitt and works by Lygia Clark, Blinky Palermo and Roni Horn, beyond the Gordon Matta-Clark photographs, the barely breathing rat and panda of Fischli & Weiss, and the Chicken TV by Nam June Paik, we came to the bedroom. before I could blink we were in the closet, threading through the jewelry and pleading with the diminutive Deedie to pull out the Gaultiers she’d bought for the designer’s recent retrospective at the DMA. Yet, she said, if she had it to do all over again, she might be an urban planner.
I would see Wilson, Rose, the Rachofskys, and the Schwartzes at the fair’s opening on Thursday, when a thousand other Dallas art aficionados showed up in all their finery. these Texans are not casual dressers. nor are they in any hurry to decide what they want. The opening was purely social. serious business would take place the next day, though Jonathan Viner did sell out a booth full of Dan Rees paintings immediately, and crowds bunched around Chris D’Amelio’s booth to check out a 1986 Cady Noland that had never been seen publicly in America before.
The following night it was McEwen’s turn to shine at the Goss-Michael Foundation, where his fake obituaries, graphite sculptures, and gum paintings were on view in a show curated by Aphrodite Gonou. The sister and brother patrons Joyce and Kenny Goss were having people over to Kenny’s house, but the evening’s program also included the opening of Erick Swenson’s solo project at the Nasher. That’s when I realized he was the only local artist I had come across as yet. was Dallas the only city in the world where the collectors outnumber the artists?
A large man with a booming voice approached and shook Swenson’s hand. He turned out to be Jim Mullen, the architect who cofounded the Container Store. “I really admire artists who achieve this level of technical skill,” he said of Swenson’s flayed resin animals, which included a Bavarian beer stein encrusted with moist snails. “Are they real?” squealed Jo Marie Lilly, former president of the board of the Dallas Contemporary, a noncollecting museum with an ultra-ambitious program about to unfold.
Under the direction of Peter Doroshenko, this enormous former metal-bending plant in the Design District wasteland was also featuring the opening of a one-off international “biennial” to end all biennials. Curated by Florence Ostende, it had nineteen artists making work for eleven different locations, including Sylvie Fleury’s neon signage in the windows of Neiman-Marcus. Time and stamina kept me focused on the Contemporary, where Claude L
Don’t get me wrong, I happen to love third-party social media tools. I’m an sucker early adopter for most of them and I like to see what’s happening in the social media metric world. but when it comes time to get down and dirty with Facebook metrics, I turn to the spreadsheet everyone loves to hate: Facebook Insights.
Social media tools are popping up everywhere, and if your Inbox is anything like mine, you’re getting solicitations from “the most amazing social measurement tool ever” each and every day. Using third-party tools can be useful, but when it comes to Facebook, there is more than enough data within its native Insights platform to get any business off and running on the right foot. The following are five Insights your business can’t afford to ignore:
Daily Negative Feedback User
This tab is located near the end of the entire Facebook Insights spreadsheet, after the demographics tabs and before the check-in information. Don’t just look at the column in the “Key Metrics” tab, because it doesn’t paint the entire picture. The Daily Negative Feedback User tab is just as important as how many people “like” your page. It shows you how many so-called fans have decided to hide your status update in their feed, hide all of your status updates for good, reported you as spam, or decided to “unlike” you altogether.
Looking at this metric on a daily basis, versus looking at a week or a month at a time, allows you to tie those actions to your specific Facebook posts for the day. It will tell you exactly what kind of content turns off your fan base. Remember, when people decide to hide your page for good, they’ll never see your status updates and you’ve essentially lost them, despite the fact they still show up as a “like” in your total fan numbers.
28 Days Viral Impressions
This measurement, which shows you the total number of times users saw your posts via stories published by their friends tells you a few things. first of all, let me tell you that one again: this data tells you how your message is spreading to the friends of your fans. The friends of your existing fans are your next generation of fans, so you want this number to be growing. Chances are that if their friends like you, they will like you, and even better they will trust you, too.
In addition, when this metric is growing, it means your visibility is growing. More people are being exposed to you, and that exposure is the first part of the social media ROI cycle. The higher the number, the more your fans are interacting with content and helping their friends find you, too.
28 Days Organic Reach
Truth be told, Facebook Insights has more ways to measure reach than Larry King has had wives. It’s bordering on the ridiculous because everyone seems to define “reach” in a different way. Using the 28 Days Organic Reach measurement, found in the Key Metrics tab, is an easy way to see how your business is performing naturally.
At the Facebook Marketer’s Conference in new York earlier this year, we learned that only 16% of your fans are actually seeing your updates. Looking at the organic reach is great because it tells you how many people visited your page or saw your page or one of your posts in their News Feeds or Tickers. this metric measures people who are fans of your page, as well as those who are not. this gives you an idea of your actual, natural reach. Watch this number to determine if you are improving your EdgeRank.
Daily like Sources
At first glance, this seems like an obvious inclusion, and it is. while it is important to know where your audience is coming from, the metric you need to watch closely is the one with the title “mobile.” Mobile is one of the fastest-growing ways for people to consume social content all over the world. If you’re not creating a user experience that works well for your mobile audience, you’re way behind in the game. You can see this without downloading the spreadsheet on the admin page of your Facebook site, but this is one you should be watching long-term.
Weekly Reach by Country
One of my biggest social media pet peeves is when a business decides to post something to their fans of a specific country or city without geo-targeting a post. Why does this peeve me so? Because it isn’t relevant to me. Nor is it relevant to anyone else outside of the one geographic area. Looking at the “weekly reach” will tell you where your fans are. this is a great opportunity to provide exclusive content to fans in certain locations, or test drive a promotion without involving legions and legions of fans. this is also a great way to tap into your hidden market. I can’t tell you how many brands I’ve worked with that have been blindsided when they learned that their second-highest fan count resided in Brazil – despite the fact the brand has no official presence there.
While you can easily see a snapshot of these numbers as an admin of the page, charting it over time is how you start to see patterns emerge. these patterns will help you decided what’s working where and with whom.
These five areas of measurement are not the be-all-end-all way to measuring social ROI. They’re not a magic wand that will suddenly part the clouds and make everything more clear. They are, however, often overlooked by organizations. Your community manager (and you DO have a community manager, right?) can help your departments understand what metrics make the most sense to monitor for their respective areas of interest. If he or she can’t, then you need to invest in a better community manager, but I’ll save that for another post.
Although reports have stated that Harper has toned down his attitude towards the media and he’s become less arrogant this spring, he’s still egotistical and thinks he’s superior to others.
Apparently, he deactivated his Twitter account so that he doesn’t accidentally say something he wasn’t supposed to let slip, which is a step in the right direction.
What happens if at some point, over the next month or so, he decides to reactivate his Twitter for the fun of it? He’s just a 19-year-old boy, and he wants to fit in with his friends. I can see Harper giving in to teen pressure and possibly doing something stupid and not even realizing it.
Yes, I’ve read that he’s toning his attitude down while in interviews and he’s not as jumpy/in your face all the time. but again, he’s so young and things could all change very quickly.
I think it’s very important for the Nationals to monitor his Internet activity, including Facebook, Twitter and other social media outlets.
Another reason I think Harper could possibly fail and not make it to the major leagues this season is because he is too young, and there is too much pressure on him to perform at such a high level.
He’s not allowed to make any mistakes, and if he does, the media will crucify him.
This is the kind of publicity and hype that surrounded Strasburg in 2010 when he debuted in June. every single pitch was documented and each result was criticized. I’m not sure if Harper can handle this type of pressure.
Strasburg was able to handle the pressure pretty well, but I think, if it’s possible, there is even more pressure on Harper to do well. Harper has been called “the Chosen One” by Sports Illustrated and has been said to be the latest prodigy since LeBron.
Think about it. Strasburg obviously paved the way and is already on the Nationals roster, so he has nothing more to worry about. Harper, on the other hand, has his entire future in front of him, and that’s a lot of pressure for a 19-year-old who should be thinking of where to take his girlfriend on their next date, or what he and his friends are going to do this Friday night.
Of course, he’s always going to be compared to Strasburg, and we’ll see if he can perform as well as he did in 2010.
There have been times in the past where Harper’s immaturity has reared its ugly head in the media. the first example comes after he hit a home run at the minor league level. as he was rounding the bases, he blew a kiss to the opposing pitcher.
Does that sound like something a future star should even think about doing? does that sound like a major league baseball player? Well, it doesn’t to me.
His fans would just respond by saying that he was too immature at that moment, but has grown up since. It’s hasn’t been too long since that happened, so he must have grown up fast.
Another example of his immaturity this spring occurred at training camp. Harper thinks, if he didn’t miss a week or so due to a calf injury this spring, then he would have made the club for Opening Day. that might say something about his pride and how much he believes in himself, which is very important, but I think it’s too much.
There’s no way a 19-year-old should think that he should make a professional major league baseball team right away, with just under a year of minor league experience.
Another reason why Harper might not make his debut this season, and this is a long shot, is if the Nationals are too cautious of calling him up at such a young age. Strasburg made his major league debut on June 9th, 2010 when he was just 21 years of age.
Although Strasburg enjoyed a good deal of success over his first year of work and posted a 5-3 record with an impressive 2.91 ERA, what if he stayed down at the minor league level a bit longer and gained more experience?
Maybe Strasburg wouldn’t have injured himself in the previous season (2011, which caused him to miss most of the year) if he were to stay in the minors a little longer.
I’m not saying that Strasburg is a bust in any stretch of the imagination. obviously he is phenomenal, and has many great years to come. but I really think that Strasburg could have benefited from another couple of months in the minors.
Another long shot why Harper will not make his major league debut this season is if he has any problems with his calf the rest of the summer, as he did for a week in the spring. Harper seems to be the type of player who will play through any injury without calling attention to it.
I just hope that, if something does end up going wrong and he injures himself, he’ll go to management and let them know. He’s so young and there’s no reason why he should miss a substantial amount of time due to such an insignificant injury.
So, although there hasn’t been a report of a calf injury flare-up, if I were the Nationals, I would be watching out more closely than usual to make sure that Harper is healthy.
I’m not saying that he’ll get injured, but the Nats need to pay attention and be cautious of this young star in the making.
While watching Bryce Harper in his major-league debut on Saturday night, it was easy to forget that he’s still a kid—well, except for the whole haircut thing.
He worked counts, took pitches with confidence and still showed his bat speed. he hustled on the base paths, treating every play like it was the final out of the World Series. Oh yeah, and I guess his arm isn’t too shabby.
Now an inhabitant of Washington, D.C., Harper spent his first off day as a major leaguer exploring his new surroundings, which apparently included playing softball with local kids in front of the Washington Monument, according to TheNatsEnquirer.com.
If this were any other player, it would seem weird, or possibly even a Canseco-esque thing to do. But the fact that it’s 19-year-old Bryce Harper doing it—mere days after capturing the nation’s attention, nonetheless—it just seems normal.
Now, I don’t know the story behind this video, so I have no idea whether it is a charity event or some sort of welcome party. Honestly, I’d rather stick to the image of Harper—with a freshly gelled Mohawk, obviously—strolling up to the field with his own aluminum bat.
Suddenly, Harper is launching tape-measure home runs as a crowd that formed around him continually gasps in astonishment.
Next time, however, I’d like to hear Harper yelling, “Fifty bucks I can hit it over the highway!”
May 1, 2012 12:00 am by Ira Podell / associated Press
NEW YORK — Alex Ovechkin's power-play goal with 7:27 remaining snapped a tie and gave the Washington Capitals a 3-2 victory Monday night against the New York Rangers at Madison Square Garden that squared this Eastern Conference semifinal series at 1-1.
Just under six minutes after Ryan Callahan got the Rangers even with a power-play goal, Ovechkin put the Capitals ahead for good after they squandered a 2-0 lead.
Mike Knuble and Jason Chimera scored first-period goals for the Capitals, who will play host to the next two games of the series at Verizon Center. Washington is trying to repeat its first-round feat when it lost the series opener but rallied to beat Boston in seven games. the Capitals have earned four of their five wins in this postseason on the road.
Brad Richards had a goal and assist, and defenseman Michael Del Zotto had two assists for the top-seeded Rangers, who got forward Brian Boyle back from a three-game injury absence but couldn't turn it into a commanding lead in the series.
New York rebounded from a 14-shot performance in its series-opening win and fired 28 shots on goalie Braden Holtby. But the increase in numbers produced fewer results.
Henrik Lundqvist, who allowed two goals or fewer in six of the previous eight games and four in a row, made 22 saves for the Rangers. New York had won three consecutive games, dating to the first round against Ottawa when Boyle sustained a concussion.
New York killed a penalty against Boyle moments after Callahan's tying goal at 6:58, but Ovechkin struck off a clean faceoff win by Nicklas Backstrom on another power play. With Richards in the penalty box for holding, Ovechkin fired a shot from inside the blue line past Lundqvist to make it 3-2.
The Rangers' much-maligned power play got New York into a 2-2 tie 56 seconds after Knuble was sent off for high-sticking.
New York worked the puck around the Washington zone several times for drives by defenseman Del Zotto. he dropped down from the blue line to the right circle and let go a shot that worked its way through.
After a close-to-the-vest opener, the offenses busted out in the first period — nearly matching the goal and shot totals from Game 1.
The Capitals took their first lead of the series 12:20 in when Washington took advantage of a Rangers turnover in the offensive zone. Stu Bickel's pass was intercepted by Joel Ward at the blue line and he raced with the puck up ice. he sent a pass to the middle of the zone to Keith Aucoin, who quickly returned it to Ward. Without any hesitation, Ward moved the puck to his right to Knuble, who scored his second of the playoffs into the right side of the net.
First Published 2012-05-01 04:29:13
Seven-time Formula 1 world champion Michael Schumacher hasn’t won the title since 2004, but is still one of the most talked-about drivers.
He came out of retirement in 2010 driving for Mercedes. still, he is one of the most celebrated drivers in the sport.
He has the most race wins—a total of 91 in his Formula 1 career. He holds the record for the most season wins. Schumacher won 13 out of 18 Grand Prix in 2004. That is 72 percent of the races.
He takes the cake the “most consecutive drivers’ championships” category. Schumacher won the championship five times in a row, starting in 2000 and finishing in 2004. all of these were won in a Ferrari.
Schumacher is one of those people who you either love or hate. He wants to win at all costs. over the years of his professional career, he has been a part of several accidents, including the death of F1 legend Ayrton Senna. Schumacher was often accused of dangerous driving, but was rarely punished.
In 2010, he was the 22nd-most-searched person on Google, with nearly 17 million results.
If you Dr. Martens fans were feeling a little bit left out by the recent Nike x Liberty drops, then fear not because this should bring a nice big smile on your face. This collaboration release combines the nature themed beauty and a refined intricacy of Liberty’s prints with the tough and rebellious ethos of Dr. Martens to provide a nice striking balance between the brands. the collection features the 8-hole and 3-hole Dr Martens boots, the newer Kensington and desert boot styles as well as a leather satchel. All items will be available online and in-store from Liberty on May 1st.
TOLEDO, Ohio, Apr 30, 2012 (BUSINESS WIRE) — Health Care REIT, Inc. (NYSE:HCN) announced today the opening of a Western Regional Office in Newport Beach, California. the company's enhanced presence on the West Coast is a natural extension of Health …
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WASHINGTON (AP) – Playoff rookie Braden Holtby followed up a shaky outing with a superb one by making 44 saves Thursday night, and Alexander Semin scored the go-ahead goal, leading the Washington Capitals to a 2-1 victory over the reigning Stanley Cup champion Boston Bruins that tied the first-round series at two games apiece.
Marcus Johansson put the puck past Tim Thomas less than 1 1/2 minutes after the opening faceoff, but Boston’s Rich Peverley tied it later in the first period. Semin put Washington ahead for good with 1:17 left in the second on a power-play goal, his second score of the series.
The best-of-seven Eastern Conference series shifts back to Boston for Game 5 on Saturday. Game 6 will be in Washington on Sunday.
Washington was 25-0-1 during the regular season when leading after two periods, and Holtby continued that trend, inspiring repeated chants of “Holt-bee! Holt-bee!” from the red-wearing spectators. after things got rowdy in Game 3, the Capitals did it with discipline Thursday: The hosts were called for only one penalty.
It’s been a tight series all the way, with neither team leading by more than one goal at any moment.
Semin decided things Thursday by zipping a wrister from the left circle past Thomas, after Alex Ovechkin and Keith Aucoin set it up with assists.
That came on Washington’s third power play of the game. The Bruins had zero extra-skater chances through the first two periods, as the Capitals played precisely the type of quiet hockey that their coach, Dale Hunter, said he really wanted to see. Washington wasn’t called for a penalty until there were just under 10 minutes left in the third period, when forward Mike Knuble — playing because Nicklas Backstrom was suspended — was sent off for holding. But the Capitals killed that off without allowing any shots, making the Bruins’ power play 0 for 12 this series.
Backstrom is Washington’s top playmaker, the player who scored the winning goal in Game 2 — and his absence showed at times. there was generally less creativity at the offensive end, and the Capitals couldn’t even muster a single shot on their first power play, which he usually runs.
Backstrom was lost for one game after a cross-check to Peverley’s face at the end of Game 3 on Monday drew a match penalty.
There was all sorts of verbal jousting during the series’ off days, Tuesday and Wednesday. Hunter — himself no stranger to mixing things up during his playing days — accused Boston of targeting the head of Backstrom, who missed 40 games during the regular season because of a concussion. Hunter said he thought Backstrom was only trying to protect himself against Peverley after taking repeated shots to the head from Boston.
Bruins coach Claude Julien responded that such claims were “ludicrous” and “ridiculous.”
What had been a plenty-of-defense, little-offense, relatively quiet series early — a total of four goals were scored in Games 1 and 2 — turned downright feisty and more wide-open in Boston’s 4-3 victory in Game 3.
So Game 4 reverted to the first style, thanks in large part to Holtby.
The Canadian is only 22 — 16 years younger than Thomas, who earned last season’s Conn Smythe and Vezina trophies — and has made a grand total of 18 regular-season starts in his career. But Holtby is playing in his first NHL postseason because of injuries to Washington’s top two goalies, Tomas Vokoun and Michal Neuvirth.
And the kid has looked like a grizzled veteran for all but Game 3. he stopped 72 of 74 shots in Games 1 and 2, then was terrific again in Game 4. Over the span of about a minute early in the second period, Holtby made three reflex saves to thwart Bruins chances.
Washington needed all of 82 seconds to take the lead, thanks to the tweaked top line of Ovechkin, Johansson and Brooks Laich.
Ovechkin and Bruins defenseman Andrew Ference got tangled up by the boards near mid-ice and both tumbled down, creating some space for Laich to collect the puck and rush unencumbered into the offensive zone. he bided his time before sliding the puck over to Johansson for a high one-timer past Thomas.
Not only was that the Capitals’ first shot of the game — it was the hosts’ only shot for the first 12 1/2 minutes, making Thomas’ save percentage 0.0 for a while.
Later, Peverley broke in alone on the right wing, deked defenseman John Erskine into a belly-flop, and scored through Holtby’s legs at the 13:12 mark of the first period. That made it 1-1 — and meant that five of Boston’s seven series goals to that point were scored with Capitals defenseman Dennis Wideman on the ice.
But Holtby wouldn’t let another puck get by.
NOTES: Holtby’s save total was the highest for a Capitals goalie all season. … The Bruins outshot the Capitals 14-3 in the first period, and 45-21 for the game. … Boston had won six consecutive road games. … Knuble, who last appeared in a game on April 5, played on a line with Joel Ward and Aucoin. … Washington F Cody Eakin was assigned to Hershey of the AHL